Jack Rush's Music Video Blog
My personal blog describing and updating teachers/examiners on the progress of my media knowledge and the progress of my media production: A Music Video. Throughout the course I will analyse multiple music videos and discuss their Mise en Scene, Conventions and the directors other similar productions to understand the way they work.
Saturday, 5 March 2011
What have you learnt from your audience feedback
Monday, 28 February 2011
How did you use new media technologies in the construction and research, planning and evaluation stages?
(http://www.youtube.com/watch?v=MdkZd1K-IGs&feature=player_embedded)
As for research I created a survey using http://www.surveymonkey.com/ which is a great free website which allows you to create impressive quality surveys without paying a subscription fee. I created a survey to find out some key information about the music video market to find out what appeals to today's audience and who we are most likely to target with out music video. My survey consisted of only five questions but I made sure they were sufficient enough to retrieve the information we needed, I tried not to ask closed questions such as "do you like watching music videos" because we would not benefit from a question which would obviously be answered yes by the music video enthusiasts we ask. I also created a survey which I asked 15 people to take part in after we had finished our video to see how our video affected its viewers. Survey Monkey was a very useful tool that allowed us to retrieve feedback on what we had produced and give us information and the criteria we needed to attract our key audience.
Wednesday, 23 February 2011
How effective is the combination of your main product and ancillary texts?
I think that our ancillary texts: our Poster and our Digipak create a brand identity for Tweed. Having our poster and album front and back cover the same simple tweed material makes people who have heard of Tweed instantly recognise any of their other material. An example of an artist who has a brand identity is Mike Skinner from The Streets. For his first two albums Mike Skinner kept the CD design very plain with just the title and the Streets lighter which is instantly recognisable not just because of the name. The choice of a lighter can also be related to The Streets as his first album Original Pirate Material had heavy influences from drugs and the youth drugs culture. When the album was released it wasn't an instant success and after time it became highly praised by surprisingly older audiences and was popular with people from all classes. Original Pirate Material was voted album of the 21st century by The Guardians Ben Thompson which is an impressive feat for a debut album.
As for the rest of our digipak I am very pleased with how the other images compliment each other. We have the powerful image of Ryan in the rear view mirror which is located on the inside cover as you open the CD case. If you unfold the slip in the inside cover we have the images of the forest where we filmed the car scenes with the Tweed logo and the track list. At first we found it difficult to select what would go in the digipak however after a few lessons of brainstorming while editing we decided that using the images of the forest in the digipak would be suitable. We decided on the images of the forest because of the common things associated with forests such as murderous activities and bodies being found by joggers and so on. The link may be over exaggerated however it does link in the subjective storyline of our music video, it can be seen as he may have ran her over and disposed of her in the forest. A very dramatic link but a significant one.
As I said before we wanted to make Tweed an instantly recognisable brand and I am really pleased by our poster. Most of the time adverts and posters for bands are egotistic or trying to create an over artistic impression of the band, like the image on the right for a group I have never heard of. The image for The King Blues tries to show the group in a way which is appealing to a young audience, however the simple shot of the band may attract some consumers but it is more likely to have the opposite effect with the majority of consumers. Trying to show a band in a "cool" way is risky, modern day examples are Lady Gaga who has pulled it off with her odd sense of fashion and attention seeking acts. An example of a group who failed to pull the "cool" look of are The Kooks, The Kooks achieved relative success with singles such as "Niave" and "She Moves In Her Own Way" in the UK music industry however they have came across some harsh press such as Simon Amstell (Never Mind The Buzzcocks) calling them "Brit School rock star wannabees". So by deciding to keep the poster simple and not trying to show Tweed in a "cool" way if our production was to be released on the market it would be hard to find any attacking comments about Tweed in the press. Our poster is a neutral inviting advert for consumers to make their opinions of the band after they have heard the music, whether positive or not after they have purchased the album the advert has achieved what it had set out to.
Friday, 18 February 2011
In what ways does your media product use, develop or challenge forms of conventions of real media products?
While we were researching successful music videos in class we came across My Favourite Game by The Cardigans, at first the videodidn't seem to make much sense, but after a while i grew too like it. I had never seen the video before but had heard the song. The video was produced and directed by Jonas Akerlund over three days in the Mojave desert in California, and was rumoured to have cost £220,000. The video shows the bands lead singer Nina Persson recklessly driving an old car through the desert trying to make other cars crash. At the start of the video she is trying to find a suitable rock to keep the accelerator onto make sure the car will continue if she jumps out. So at the very start of the video we know she has plans to crash the car, the title My Favourite Game gives makesyou believe she is playing sort of Russian Roulette . The video created some controversy when it was first released in 1998, the video was consequently banned or an edited version shown where all of the crashes and the dangerous driving were taken out. Jonas Akerlund knew the video would cause some controversy so he created five different versions with varying degrees of violence and blood. Many European channels including MTV UK only played an edited version of the version of the video because they believed it would cause and increase in "joyriding" and cause car accidents amongst teenage drivers. The video achieved substantially success and was placed at 95 on channel 4's 100 greatest music video.
We watched this video a few times before filming the car scenes to give us some ideas about different angels we could use, at first the carscenes were very difficult to plan. After watching the video we discovered some easy and effective shots, however once in the car on the day we found it difficult to replicate the angels we had seen. We managed to replicate a few of the angels in the Cardigans video, the image on the left shows one of our basic angels the "rear mirror view". What we aimed to do was take some of the aggressive driving seen in My Favourite Game but do it in a controlled way which was safe but looked realistic in order to produce the red herring; was she run over or not?
Tuesday, 15 February 2011
Friday, 4 February 2011
Editing
Tuesday, 18 January 2011
Digipak: Jamie T, Panic Prevention
Saturday, 15 January 2011
Car Scene Filming
Monday, 10 January 2011
Poster
The image on the right is our second attempt at creating our poster, the image unlike the first is subtle but effective. The image was taken by filming the playback screen on a video camera, during the editing stage of our video we cropped the image while brainstorming for ideas for the poster.
Friday, 7 January 2011
Bad News!
Tuesday, 28 December 2010
Filming Progress!
Sunday, 26 December 2010
Filming Timetable
Tuesday, 21 December 2010
Costume
Thursday, 16 December 2010
Bloc Party- One More Chance
What I most like about this video is the Mise en Scene of all of the scenes. They seem low budget but they all match the characters that are shown in the scenes perfectly, the underground basement studio in particular; the cluttered mess of records, dodgy coloured curtains and the garden gnome really give you a sense that it is being filmed in his parents basement. Also the scenes where the couple are playing with the Ouija board, the clothing is a new "retro-vintage" fashion, the room consists of an old looking pale pink carpet with loads of stools and vintage lamps surrounding the room. I mostly like the way they use the lamps when the girl is supposedly taken over by a spirit. All in all I think this is a good video which can be analysed in many ways, Bloc Party were known for the slightly odd videos, but I believe this one attacks the issue of the American dream and shows some of the weird behaviour wanting fame so much can bring about.
Wednesday, 8 December 2010
Deadline Time
Tuesday, 30 November 2010
Unavoidable Problems!
Wednesday, 24 November 2010
DigiPacks
Also we have now completed the filming for our band scenes, however we still need to film the remainder of the scenes.
Monday, 22 November 2010
Music Video Band Scene Teaser
Saturday, 13 November 2010
Shallow Focus
Below is a video by Majestic Micro Movies displaying Shallow Focus:
We want to use shallow focus for two scenes in our music video; one of the scenes is within the opening 20 seconds and will involve a close up of the charcters face as he closes his eyes, the shot will run along side the lyrics "I closed my eyes and you were there". The other will another close up of the main charcter for the last verse "life is such a funny thing, you lose your love to love again , then you start again."
Friday, 12 November 2010
Animatic: I Ran You Down-Tweed
NOTE: The scene from 0:16-0:32 shows a couple at first having fun/reflecting on good time in the past, when the screen turns red its the same scene however they are having an argument.
Tuesday, 9 November 2010
Framing and Camera Angles: The Streets- The Escapist
"During a great period of intense mixing we decided that it might be nice to shoot a video. This isn't the way the record industry works and so it was under the radar of the label and done totally for us by us on a shoe string. It was totally different from any other promo that I've made in that it was something real that we just filmed rather than trying to create something real looking using lots of people and lots of angles. I feel like it's more than a video in that sense. As well as looking quite odd without all the singing and quick cuts"
The video its self seems to tell a story which can be portrayed in many ways, to me it seems as if the main character (Mike Skinner) just wants to get away from everything. The title obviously points this out but the lyrics seem to point to him just wanting to think things over, he seems trapped the lyrics seem to support this"All these walls were never really there, Nor the ceiling or the chair Im' eking weeks of peace at the beach, I see the breezes weave the trees." I have the understanding that the song is about a point in someones life where they just want to escape reality and think things over. The locations in the video are the peaceful places he wants to escape to and through out his journey he is alone, until the final scene on the beach where he is with what seems as his friend who takes him back to reality.
Tuesday, 2 November 2010
Problems With Filming Inside a Car
As you can see from the previous post we recently experimented with camera angels we could use within a car. This was valuable experience that has made us realise how hard or impossible it is to film certain shots. One of the main problems we had was the limited height we had to get certain angels, this was because the car we used was a small three door hatch back. This is not the car we intend to use in our video, the car we aim to use is slightly bigger and more spacious. There was many things we had avoid such as; the camera appearing in the reflection of the mirrors, headrests getting the way and being to close to the front seats. The image on the right shows the main problem we came across when trying rear view mirror shots, we tried for around five minuets to get one shot of me in the distance. The problem was the low archer rear window of the car, in the car we aim to use in our video this problem will not occur the rear view mirror is wide and clear. In the photo above I was thirty one meters away from the car which would be the reasonable distance for a shot when the car is moving. Also the car we used was quite small inside as the picture on the left shows, but as you already know the car we wish to use in our video is proportionately bigger inside and suits the theme of the video more than the small hatch back we used to experiment.